Archival material
Press Clipping
“Pottery Course Attracts Many”, Montreal Star, February 2, 1963. Collection of Michael Namer, Ottawa.
Photograph
Correspondence
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Letter from the Department of Trade and Commerce of Canada, informing Namer of her work’s inclusion in the Tokyo International Fair, 1965. Collection of Michael Namer, Ottawa.
Photograph
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Portrait of Rosalie Namer by Richmond Jones, circa 1970.
Press Clipping
“An Artist and a Teacher: Rosalie Namer ‘production potter’”, Lakeshore News and West Island Chronicle, June 25, 1964.
Paper Ephemera
Handwritten notes for professional Curriculum Vitae, undated, mid-1970s.
Photograph
Dinner display in Namer’s Beaconsfield home with food, flowers, candles, and pottery, uncredited and undated photograph.
Press Clipping
“Pottery is Woman’s Hobby, Job”, profile in “Women Today” by Lana Wells, The Gazette, Montreal, 1966.
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Tea pot, circa 1965, collection of the Musée National des Beaux-Arts de Québec. Documentation of 2021 research visit by August Klintberg.
Newspaper Clipping
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“Facts & Fancies”, society column by Harriet Hill, Montreal Gazette, March 6, 1965.
Photograph
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Uncredited portait of Namer surrounded by pottery at her solo exhibition at la Centrale d'artisanat du Québec, rue Peel, Montreal, 1970.
Object
Tea pot, circa 1965, collection of the Musée National des Beaux-Arts de Québec. Documentation of 2021 research visit by August Klintberg.
Newspaper Clipping
“Facts & Fancies”, society column by Harriet Hill, Montreal Gazette, March 6, 1965.
Photograph
Uncredited portait of Namer surrounded by pottery at her solo exhibition at la Centrale d'artisanat du Québec, rue Peel, Montreal, 1970.
Photograph
Photograph of Rosalie Namer in her Beaconsfield studio, Richmond Jones, circa 1970.
Correspondence
Letter of recommendation with repeated misspellings of Namer’s last name, Mark W. Waldron, McGill University, 1971.
Press Clipping
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“Firing Up”, photograph of Namer igniting kiln, Pointe Claire Beaconsfield News and Chronicle, 1969.
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Uncredited portait of Namer at her solo exhibition at la Centrale d'artisanat du Québec, rue Peel, Montreal.
Journal Article
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Page 1 of “Eartenware Containers as a Source of Fatal Lead Poisoning” journal article by Michael Klein, Rosalie Nmer, Eleanor Harpur, and Richard Corbin. New England Journal of Medicine, September 24, 1970.
Press Clipping
“Firing Up”, photograph of Namer igniting kiln, Pointe Claire Beaconsfield News and Chronicle, 1969.
Photograph
Uncredited portait of Namer at her solo exhibition at la Centrale d'artisanat du Québec, rue Peel, Montreal.
Journal Article
Page 1 of “Eartenware Containers as a Source of Fatal Lead Poisoning” journal article by Michael Klein, Rosalie Nmer, Eleanor Harpur, and Richard Corbin. New England Journal of Medicine, September 24, 1970.
Photograph
Uncredited photograph of Rosalie Namer in the MacDonald College ceramics studio, circa 1965.